Lany malibu nights album
The following track, “Let Me Know,” maintains the subdued rhythm of the former, while also infusing hints of jazz and an increased focus on the lyrics. The album finds its turning point in “I Don’t Wanna Love You Anymore,” which departs from the two preceding songs by changing the energy and slowing the tempo, signaling Klein’s own decisive moment. Alongside Klein, credit is owed to other LANY members Charles Leslie Priest and Jake Clifford Goss for the execution of these decisions their masterful work with drums and synthesizers establishes the foundation for “Malibu Nights.” This stylistic decision is a mere example of the artistic thoughtfulness for which LANY is notorious. The coupling of the snare drums with Klein’s confusion in “Thick and Thin” lay the groundwork for his personal crisis. Those who have suffered from heartbreak will feel a potent connection to Klein as he recounts the stages of grief he endured, while those who have not can still absorb the album’s vast emotional range. Each track showcases an intense and brave vulnerability which results in universality. The authenticity and depth of emotion in this album is its saving grace. However, upon further encounters with the album, there is a certain depth to be derived from “Malibu Nights.” Individually, the songs have their own merits, but when played in its entirety it is difficult to differentiate the tracks from one another until the lyrics emerge. The problem of uniformity arises when “Malibu Nights” stands alone. While “Malibu Nights” employs sonic patterns reminiscent of their previous discography, there is a clear variation of style between the 2018 release and their 2017 eponymous album. However, the heavy repetition of this technique engendered the album’s principal downfall: its noticeable lack of musical diversity. LANY was cognizant of their gloomy subject matter and created an effective juxtaposition through the upbeat nature of their tracks and visuals to combat the sad undertones. Yet, “Malibu Nights” still leaves something to be desired. Klein initially wrote the track to make sense of the painful situation he was in, but the song is relatable for anyone who seeks hope in even the most sorrowful situations. The only other time LANY has minimalized the musical traffic in a song was in “ILYSB – Stripped,” and even still, it did not reach the simplicity found in “Thru These Tears.”įurthermore, though much of “Malibu Nights” was inspired by Klein’s very public breakup with pop star Dua Lipa, the project is more than a break-up album. While this song retains LANY’s signature synthpop style, it introduces unexpected sections of stripped vocals and piano.
The band’s first advance single, “Thru These Tears,” was released in mid-July and exhibited promise for the remaining eight tracks on the album. According to an interview with Harper’s Bazaar, after 41 days of studio time, Klein “lifted head up for the first time and ‘Holy s-t, we just wrote album two.’” Thus “Malibu Nights” was born, concluding LANY’s “rose era,” a reference to the iconic rose emblem of their debut self-titled album, and ushering in their “moon era.” After experiencing the incomparable pain of a first heartbreak, Klein’s music was his method of survival. The genesis of LANY’s sophomore album was not premeditated. “What do you do with a broken heart?” If you’re Paul Jason Klein, frontman of indie-pop trio LANY, you write an album.